expectation

Are we hearing the same soundscape? Who's listening, how, and to what?'

Are we hearing the same soundscape? Who's listening, how, and to what?'

Soundscape research has often struggled to deal with the multidimensional experience of the phenomenological perception of the sound environment. Whilst there have been a number of important large multidisciplinary projects formed from a wide range of stakeholder disciplines, results have often been epistemologically split between interpreting the complex multidimensional, multi-epistemological, phenomenological experience of a soundscape for some disciplines, versus the positivist, objectivist quantitative approach of other disciplines.